| "A one time theatre manager might
never seem the most likely candidate to manage the most controversial
wrestler of all time, but George Gillett fitted the bill
admirably. As the sixties paved way for the age of glitz and glam
rock, Kendo Nagasaki found his perfect sidekick in the shape of
“Gorgeous” George. George’s outrageous costumes and make up
revolutionised the wrestling industry, never before had a man come to
the ring decked out in feather boas, Elton John style glasses and
covered head to toe in a number of dazzling, sequinned outfits. From
the first moment George took over the microphone he let it be known that
he was not satisfied with the standard of the opposition facing Nagasaki -
George wanted ever bigger, and better wrestlers to come forward to face
the indestructible Samurai. On 28th July 1971 Kendo had made his
first television appearance, previously promoters had been reluctant
to put Nagasaki onto television because his violent ring nature regularly
saw the opposition covered in blood and fearing that the television
watchdogs would show disapproval they had not dared to feature Nagasaki in
a televised bout despite his very name assuring packed halls throughout
the country. Finally, they relented and held their breath
as Kendo took on top heavyweight Billy Howes before the cameras at
Catterick.
It was indeed an explosive
contest, both wrestlers colliding in fearsome combat as millions
watched at home during the World Of Sport Saturday afternoon ITV
ritual. Such was the violence that Kendo’s head was cut open
and the blood and swelling were restricting his breathing, he half
pulled the mask off his head in an attempt to continue but with Billy
Howes intent on illegally unmasking him, Kendo pulled off the mask
himself and fled into the dressing room area demanding that Howes be
disqualified. Letters poured in from the viewers at home, not
only commenting on the extraordinary man they had seen for the first time
from their arm chairs but also wanting to see him again against
other top wrestlers. This was the start of innumerable appearances on
the small screen for Kendo Nagasaki, the mystery growing with
each bout. Kendo’s salt ceremony at the beginning of each
contest infuriated opponents and fans alike, Kendo has never been
averse to making full use of his ceremonial salt whenever a ref’s back is
turned. Although Kendo was hated by and large by the great
British public, he also inspired a strong and loyal
following, so much so that a thriving fan club was set up in his name
and George became instrumental in replying to letters, sending out
signed photos and generally keeping the fans informed of Nagasaki’s ever
increasing conquests. The fans were not so keen when George informed
them that for most of 1972 Kendo was going to be out of the country
fighting in Canada and America. Working for Stu Hart’s Stampede
Promotions all over North America, Kendo was just as successful abroad and
won the Stampede Heavyweight Championship belt. George was billed at
this time as “Lord Sloane of Kensington Gore”, the promoter sensing that
this title might well appeal to American audiences. He was right
because Kendo and George became a sensation, creating the same havoc
on any bill they appeared as they had done across the UK. They
returned home in the early days of 1973 and to mark the occasion Kendo
knocked out Big Daddy (Shirley Crabtree) in a televised contest to
announce his return. 24 stone Big Daddy was gathering a following and
reputation for his belly butts and strength moves, but Nagasaki’s
experience won the day. Kendo’s speciality bout finisher was a move
called the Kamakazi Crash where he would hoist an unfortunate victim upon
his shoulders in one corner of the ring before rolling forward on top of
them in a ferocious crushing motion, bringing his full weight
crashing down on their rib cage and stomach - inevitably the bout was over
after such power.
Another newcomer on the scene was also
proving a great threat to Kendo, this was the 6’11” 31 stone Giant
Haystacks, a bearded colossus from Salford, Daddy and
Haystacks became tag partners and immediately set out on a quest to target
Nagasaki. They had several titanic clashes |
including one at the Royal
Albert Hall which was packed to the rafters for the match, some 5000
people. When next Kendo agreed to a solo match with Big Daddy on TV
in December 1975, the results were just what most wrestling fans
were waiting for.
After a hard fought contest and
with one submission each on their score card, Big Daddy brought his full
bulk down on Kendo in a “big splash”. With the masked man winded and
groggy Daddy went for the mask, undid the ties and pulled
it right off - for the first time ever fans in Solihull along with
millions more at home got their first clear look at Nagasaki. There was a
star tattoo in the middle of his shaved forehead with a pony tail running
down the back, his red eyes staring out in wild panic. Quickly
Kendo dived off the ropes and in an amazing flying tackle took Crabtree
down for a winning fall, within seconds George was in the ring with
another mask but the damage was done. Big Daddy had given the British
public their first glimpse of the man they loved to hate, in the few days
between the recording and the match going to air the press leaked the news
that Nagasaki would be seen minus his familiar stripes, the result
was that the viewing figures were enormous. The whole country it
seemed wanted to see face that had unexpectedly been revealed on national
television by the blonde Yorkshireman, Kendo had still won the match and
now there was a score to settle with Big Daddy which went on around the
country whenever a promoter could sign them both up for a contest.
Box offices boomed whenever Nagasaki was on the bill, opponents feared
him, audiences hated him and promoters loved him for the takings would be
terrific. In the early months of 1977 George revealed that Kendo -
along with several other wrestlers - would be taking part in a new
television play commissioned by Granada TV called The Wild Bunch that had
been written by actor and former wrestler Brian Glover.
It was centred around a group of
promotions girls who would be attending a wrestling tournament to promote
a new brand of cigarettes (it was still acceptable in those days for the
killer weed to be positively advertised). Kendo was to play the
fictional masked superstar Death Angel whilst his arch enemy in the
script, Juggernaut, would be played by none other than Giant
Haystacks. Among the all star cast gathered together for the
production were respected thespians Michael Elphick, Floella Benjamin and
Anna Carteret whilst those also to be seen from the wrestling world
included Jim Breaks, Tony Walsh, and Brian Crabtree. What made this
appearance so special to all of Kendo’s admirers was that for the first
time ever Kendo would speak, he would still wear the famous mask but
his voice had never been heard in public before and it has never been
since. Filmed at the legendary King’s Hall, Belle Vue in Manchester
- now sadly demolished - the play was applauded by the critics when it was
shown a few months later. Kendo turned in a accomplished
performance, but he returned to his silent world as soon as filming
had ended. His one concession to breaking this code now over,
Kendo would continue to be heard only through George Gillett. Many
followers had never thought they would ever hear Kendo, but the next
move by the victorious twosome was to take the whole of the wrestling
world completely by surprise: Kendo Nagasaki, it was announced,
was planning to voluntarily
unmask..." |